Victor Wooten playing bass on the song  Amazing Grace.

His book The Music Lesson is great – will teach you a lot about music.

Born May 30, 1909 in Chicago, Benjamin David Goodman would grow up to be known as the King of Swing. He was the ninth born and had eleven siblings. His musical career began at the young age of ten when his father decided to enroll Benny and his two older brothers in Kehelah Jacob Synagogue where they took music lessons and he later benefited from lessons given to him by Franz Schoepp, who was a classical clarinetist. With Benny’s interest and passion for playing, it was not long before he was playing professionally. In fact, he was playing professionally before he was sixteen, which goes to show the kind of natural talent this individual had.

At the age of sixteen, Benjamin was playing with the Ben Pollack orchestra, who he remained with until 1929. During his time with the orchestra, he made some of his first recordings, including the creation of his own record. It was with this band that he really started to become quite a success and the success continued on through the 1930s, which his father was not fortunate enough to see as he had passed away in an accident after Benny had joined the Ben Pollack orchestra. While the death hit Benny hard and he always regretted that his father had refused to retire when Benny had offered to take care of him and his mother, the tragedy did not slow him down in his career. His reputation continued to grow, but this does not mean that things were becoming any easier. During a tour in 1935, Goodman’s band nearly broke up because of the immense stress they were under. The type of jazz they were playing was quite a bit different than the jazz most people were accustomed to and it was not always accepted.

Benjamin Goodman was so influential in his music that it is said that without Benny there would have been no swing music. He was known as a virtuoso clarinetist and one of the best jazz clarinetists of the time. He was innovative and experimental with his music, so much so that it took time before some people were able to accept it. Finally, in the year of 1957, he was inducted into the Jazz Hall of Fame for his exceptional talent. Even after the induction, he continued to play with as much interest and energy, perhaps even with more than he did before. He played in small groups with other musicians, recorded his music, played in festivals and participated in tours, but did not limit himself to playing jazz throughout all this.

He played the swing he was best known for and also continued to play some classical music, which was really his roots as classical was some of the first music he was taught to play when he was young. In later years, his health deteriorated, but he continued to play until his death in 1986 when he passed away of a heart attack at the age of 77. It seems that even after passing, his influence was still strong as he was awarded the Grammy Lifetime Achievement award later that year.

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Originally from Montreal, Quebec, Oscar Emmanuel Peterson was born August 15 in the year 1925 and would begin his musical career in the year of 1945. He would grow up to have a long and very successful musical career and would also come to be regarded as one of the greatest pianists of the time. Unlike many other well-known musicians he lived a very long life, passing away at the age of 82 on December 23, 2007 in Ontario. Throughout his life, he played live concerts around the world, recorded many albums, won numerous Grammy awards and many other awards for his music.

At the early age of five years, Oscar Peterson began playing the trumpet and the piano, which his father and sister taught him how to play; however, his interests soon turned toward the piano as a result of suffering from tuberculosis that made playing the trumpet difficult. Besides his father and sister, Oscar also learned from Paul de Marky, who was also a classical pianist. Even thought most of the music he was taught was classical, he was extremely interested by jazz. Before the age of ten, the talent started to show through his amazing control of his piano playing. This could be attributed to his intense practice, which was between four and six hours a day. His amazing control could very well be attributed to his extreme self-discipline in music, though the time he spent practicing shortened to about two hours a day after a few years.

The first award he won was at the age of fourteen, when he participated in a national music competition. It was this moment that really changed his life. He left school and immediately began his career by playing professionally in hotels, music halls and on a radio show. He later went on to play in duets, trios, and quartets. It was then during the 1950s when his reputation as one of the worlds leading jazz pianists was made that he began to play in small bands, quartets, trios, duets and even solos, though solos were not something he did very often. He did, however, create a few albums that were solos. Besides his playing, Oscar was also known for some of the music he composed. He wrote some songs, but also composed numerous pieces for the piano that were for trios and quartets and big band.

Though it may not seem it when watching him play, Oscar had suffered arthritis since he was very young and one would think that this could make playing the piano quite difficult. Later in his life, he also suffered a stroke that made playing even more difficult, but he did not allow any of his health problems to get in the way of his playing. He continued to play in the 90s, even if it was more with one hand, and continued to make both live and studio recordings. He was a man that was dedicated to his music and would not let anything get in the way of his playing if he could help it. During his 65 year career, he won no less than seven Grammy awards for his talent and his many recordings continue to be listened to and enjoyed today.

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One of the more difficult types of instruments to play is the saxophone. From jazz musicians to Bill Clinton, it has been played by people classified as smooth by those who hear them play.
It is not surprising to hear that because the saxophone is considered the coolest instrument there is by many who play it, as well as many who do not.

Many children, after either seeing it on television or hearing it on a song, will decide that they too want to learn how to play the saxophone. However, the problem with saxophones is that they are not cheap. So, you can go and buy an expensive saxophone for your child after they see Lisa Simpson play it on The Simpsons, however this presents a problem. If your child shines to the saxophone and loves it, then you have money well-spent.

However, as any parent can tell you, children do not often stay on one thing for a long period of time. This is an issue when you spend a few hundred dollars on a saxophone for your child and they decide a month later they enjoy playing video games more than they do practicing the saxophone for an hour each day.

So, what can you do to nurture their gift with the saxophone? The best option is to buy a used saxophone. A used saxophone is an excellent option because you will not be paying anything near what you would for a new one.

This presents an opportunity for parents to buy the saxophone for their child because they will pay hundreds less, sometimes as low as $50, for the same type of saxophone, just newer.
When your child, if they decide to, stops using the saxophone because they are now bored with it, you will not be out a lot of money. Instead, you will be able to sell the saxophone for near or slightly below what you paid for it. This would not happen with a brand new one, and you would lose hundreds of dollars in that situation.

As for where you get a used saxophone, the best option is to visit a pawn shop, which are often full of them. They will cost much, much less and pawn shops can be found all over the city where you live.

When you buy a saxophone for a child to learn on, you are giving them one of the most complicated instruments in existence. This means that your child had better enjoy playing it, because if you bought a new one and they stop playing it, you will be out hundreds. This causes unneeded pressure on the child, and before you know it they hate playing the saxophone.

Instead of allowing this situation to happen, you should take the measures to buy a used saxophone for your child. It will cost much less and you will not have to worry that if your child stops playing it, you will be out hundreds when you sell it.. If anything, you will make a slight profit or be out $20 or $30 dollars. That is a much easier price to bear.

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